Well, I finally have a job … sort of. I mean, it is a job, but it’s technically part-time and it only lasts until September 16, which means that even as I’m doing this job, I will continue job-hunting. Not to mention now, apartment hunting. And maybe one of these days soon, I’ll actually get all personal and shit and write the big long post that is a combined expression of frustration and big screeching cry of, “HELP!”
But not right now. Still, some work is better than no work, and hopefully one of the other, more-permanent things I’ve got on the lukewarm hot plate (I wouldn’t want to call it a back-, side- or front-burner) will come through and get me going come mid-September. For now, I must refrain from taking stupid 8-10 hour Fred & Ginger breaks and really focus on organizing my shit and actually being productive with all the things I’m trying to juggle. To get all Franklin-Covey on your ass: managing the “important and urgent,” the “important but not urgent,” the “unimportant but necessary and urgent” and even the “unimportant but necessary but not urgent.”
To show how magnificently I manage my time per the above categories, I now present you with some examples of my stupidly paying the most attention to the last of those:
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The New York Film Festival has announced the full line-up for the 43rd edition running from Sept. 23 through Oct. 9, and happy frigging birthday to me! (OK, my birthday is actually a couple days before the fest, but … oh wait … Happy birthday to Lily!) What an amazing looking lineup, even if there are, surprisingly, no Latin American entries. I’m not sure how the hell I’ll figure out how to get to everything I’m going to want to, but I’ll have to try. I won’t bother highlighting the highlights — there are so many. As usual, indieWIRE has a great overview. And if you’re Asian-cinema-dumb like me (meaning you love it but still don’t really know enough about it) you will want to check-out resident expert Filmbrain’s take on the lineup. He seems relatively giddy.
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I was super-excited to read that FX has re-upped Morgan Spurlock’s show 30 Days for another season. I had my doubts about the show before seeing it because while I enjoyed Super Size Me, I didn’t think it was actually that great a film, and the thought of seeing Spurlock repeatedly do similar experiments sounded tiring. But the fact is, 30 Days is absolutely perfect television fodder in the “serious” reality show mode, and Spurlock, while involved in every episode on a narrative level, was only the actual participant in the first episode. I saw five of the six episodes, and with one exception (the very last one where a mother decides to become a “binge drinker” to help teach her daughter why that’s bad — it kind of didn’t work, it in the episode or for me), each episode was very good-to-excellent. The show’s potential flaw, however, is in the casting, most exemplified in another episode where two city-dweller/club-goers went to live for a month in a self-sustaining “green” community — meaning they sustain themselves with all natural, biodegradable products and even manufacture their own power; no outside electricity, gas or water is utilized. The two subjects really weren’t open enough to the experience, and that made this episode another experiment that almost didn’t work.
Still, the premise of the show is fantastic and really not tired at all as long as the subject matter and people involved are interesting. I was sad to see there had only been six episodes produced because I looked forward to it each week, and it’s good to know it’s coming back. Now if only MTV would also get to making more episodes of MADE — but that’s for another post.
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Saw this on TVNewser a couple days ago regarding the pending revamp of the CBS Evening News. Looks like CBS is the first network really trying to completely reinvent want the major network 6:30 PM news broadcast looks like, and the basic format of what they’re considering sounds like it could be reasonably successful, even if it also subjugates the major news of the day into even smaller, tighter, quicker sound-bytes. Still, this presents another opportunity for me to ask, Could Paddy Chayefsky have been any more prescient?
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What the hell is going on inside the head of Robert Zemeckis? Is he abandoning straight live-action filmmaker? Today the big casting news in movieland is that Angelina Jolile has been cast in a big screen treatment of the ancient story of Beowulf. The film is Zemeckis’ next project behind the camera; or being the camera and in front of the computer; or something. Apparently, he plans to use the same “performance capture” which, as the Reverse Shot blog so perfectly notes, “transforms the actors into creepy plasticine replicas with no souls, as in The Polar Express.” True that. At least Zemeckis has assembled a stellar cast with Anthony Hopkins, Robin Wright Penn, John Malkovich, Ray Winstone, Crispin Glover, Brendan Gleeson and Alison Lohman joining Jolie. If that kind of talent can’t, in fact, inject some life into the eventually animated figures, they should give-up on the technology.
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I’m not sure why everyone’s making such a big deal about it finally being “official” that Pierce Brosnan is out as James Bond. Whether it was “official” or not, the fact that it had been talked about and there was speculation that so-and-so would be the next Bond made this unsurprising and even old news. I mean, come on — it was last July — as in 2004! — when Entertainment Weekly basically said Brosnan was gone, and I described why that wasn’t necessarily a bad thing. And then again in June, I discussed why as much as I like Daniel Craig, he’s wrong for the role. Right or wrong, however, that didn’t stop the journalists at the Layer Cake May premiere at the Tribeca Film Festival from asking how he felt about possibly taking over the role of 007. None of the questions were ever couched with, “If Pierce isn’t brought back.” Basically, the truth is, it’s not a big deal. It’s just a really good job by a few press reps making some non-news into big entertainment news, signifying nothing. (And dammit, will you guys just postpone your shooting and fucking cast Clive Owen. Help us, Barbara Broccoli — he’s our only hope.)
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Absolutely fantastic news from the DVD release world: Yesterday, Variety reported that New Line will release a three-DVD set including 12 features and 16 shorts from silent film great Harold Lloyd on Nov. 15. I couldn’t agree more with the sentiments expressed at Cinematical: FINALLY! Even as DVD has exploded, much as he’s unjustly been considered third banana to Charlie Chaplin and Buster Keaton, both of whom have had collections on the market for some time, Lloyd‘s brilliant, hysterical films have been unavailable to DVD audiences. DVD Times has the specific disc-by-disc details. While Safety Last! is probably Lloyd’s most famous — with the scene of him hanging from the clock — my favorite is definitely Speedy which I’ve now probably seen at least five or six times. The great climactic horse-drawn-trolley-car chase — during which Lloyd drives through the Washington Square Arch and around the fountain, as that was still a traffic lane at the time — is fantastic. The film is apparently on the third disc of this collection which any true movie-lover should snap-up as soon as it’s available.