FINALLY PUTTING A CAP ON SEPTEMBER

September was a busy month, and October hasn’t been much slower, which is the reason why we’re already roughly half-way through and I still haven’t published my September movie diary. In fact, I’m quite impressed with myself as it looks like my “unattainable goal” of averaging a film a day is potentially well on itsContinue reading “FINALLY PUTTING A CAP ON SEPTEMBER”

A FEW LAST WORDS BEFORE THE WEEKEND

I remain hopelessly behind in my posting, and again I hope to catch-up a bit this weekend (but no promises). I did attend a press screening of Marie Antoinette this morning: that’s right, I sat through it for a second time which was a fascinating experience. I really enjoyed the movie when I first sawContinue reading “A FEW LAST WORDS BEFORE THE WEEKEND”

NY FILM FESTIVAL: THE HOST — MUCH MORE THAN JUST A MONSTER MOVIE

(This post began as a continuation of the previous one, hence the oh-so-eloquent flow, or rather, the reference to something not included in this same entry.) It shouldn’t actually come as much of a surprise that the best film so far critiquing the current state of the world and particularly our country’s involvement in theContinue reading “NY FILM FESTIVAL: THE HOST — MUCH MORE THAN JUST A MONSTER MOVIE”

NY FILM FESTIVAL: PAN’S LABYRINTH — MAGICAL REALISM MIXED WITH RATIONAL FANTASY FOR A MAGNIFICENT CONCOCTION AND ONE OF THE BEST FILMS OF THE YEAR

(This post began as a continuation of the previous one, hence the oh-so-eloquent flow, or rather, the reference to something not included in this same entry.) Even as difficult as it is for me to say that I liked or disliked Inland Empire, it is quite simple for me to shout hosannas expressing my immenseContinue reading “NY FILM FESTIVAL: PAN’S LABYRINTH — MAGICAL REALISM MIXED WITH RATIONAL FANTASY FOR A MAGNIFICENT CONCOCTION AND ONE OF THE BEST FILMS OF THE YEAR”

NY FILM FESTIVAL: INLAND EMPIRE — THIS IS YOUR BRAIN ON DAVID LYNCH

I still don’t believe I can write much about David Lynch’s Inland Empire, a nearly three-hour long smorgasbord of image and sound that to the linear-minded will prove completely incomprehensible. Any semblance of conventional storytelling or character development has been thrown not just out the window, but from the 90th story of a really tallContinue reading “NY FILM FESTIVAL: INLAND EMPIRE — THIS IS YOUR BRAIN ON DAVID LYNCH”

PLAYING CATCH-UP WITH NYFF: THREE FILMS THAT EXEMPLIFY THE ART AND “MAKING” IN FILMMAKING

(This post began as one entry containing three reviews, but as each section became longer, I decided to split it up into separate posts. So let’s just call this the introduction, shall we?) As the New York Film Festival pulls into its final weekend, it becomes a good time for both anticipation and reflection. MoreContinue reading “PLAYING CATCH-UP WITH NYFF: THREE FILMS THAT EXEMPLIFY THE ART AND “MAKING” IN FILMMAKING”

THE WEEKEND AHEAD: MUST-SEE DEPARTED, LIFE EXPERIENCE WITH 49 UP AND MORE NEW YORK FILM FESTIVAL

More detailed reviews will be coming later today and this weekend, but in the limited amount of time I have before another day of multiple press screenings, I couldn’t let this weekend arrive without taking note of the multitude of riches available to filmgoers this weekend. The major release today is the latest film fromContinue reading “THE WEEKEND AHEAD: MUST-SEE DEPARTED, LIFE EXPERIENCE WITH 49 UP AND MORE NEW YORK FILM FESTIVAL”

SHORTBUS: HOP ON BOARD FOR A MOVING AND EMOTIONAL RIDE (YES, “RIDE” … I KNOW)

“Shocking” is one word that will likely appear time and again as people describe and critique Shortbus, the new film from John Cameron Mitchell, who after creating a smash Off-Broadway musical hit with Hedwig and the Angry Inch, reinvented the show for a virtually flawless film adaptation as his movie-making debut. With Shortbus, Mitchell decidesContinue reading SHORTBUS: HOP ON BOARD FOR A MOVING AND EMOTIONAL RIDE (YES, “RIDE” … I KNOW)”

NY FILM FESTIVAL: LITTLE CHILDREN — PROVING THAT AN UNSUCCESSFUL ADAPTATION CAN STILL BE A MILDLY SUCCESSFUL FILM

If you pick-up the St. Martin’s Griffin edition of Tom Perrotta’s novel “Little Children”, you’ll find that the very last page contains a “Reading Group Guide.” The very first suggested discussion topic reads as follows: Is Little Children an appropriate or deceptive title for this novel? Can you think of the different ways the phraseContinue reading “NY FILM FESTIVAL: LITTLE CHILDREN — PROVING THAT AN UNSUCCESSFUL ADAPTATION CAN STILL BE A MILDLY SUCCESSFUL FILM”