The People I See — Volume II: Cat stroller

Today’s edition: The Woman with a Cat in a stroller at the Grand Army Plaza Greenmarket

I beat the rain this morning to the Grand Army Plaza Greenmarket. At just after 10 AM, the place was pretty crowded. There were long lines at the Ronnybrook Dairy Farm and Blue Moon Fish booths — the fish one had me waiting about 10 minutes!

About half-way through the fish line, I ran into a little bit of stroller gridlock, but it was understandable because one stroller didn’t have a baby in it. Instead, its inhabitant was making all the passing babies stare. It was a cat. A big cat. A big fat cat. Maybe not a 44 pound cat, but pretty big nonetheless. And this wasn’t any ordinary bucket-seat stroller. This thing was first class: fully covered part-mesh enclosure, reclinable so this cat could splay out flat.

The owner was an older woman, my guess is mid-to-late 50s. She wasn’t actually in the fish line. She wasn’t actually in any line. She and her stroller were essentially just standing in the middle of what is otherwise supposed to be free-flowing traffic. Who knows why? Maybe she was waiting for someone. Maybe she was looking around deciding where to go. But she was there when I got into line and she was there when I left the line. And her cat looked comfortable as hell.

The People I See — Volume I: Spandex and CB

And now to institute a new feature here on Out of Focus: “The People I see.” Even the title is part of my attempt to say more with less, as a longer description could be, “The people I see who make my jaw drop, say to myself, ‘What the hell?’ and find me spending more than an idle second imagining the life and the world (or worldS) they inhabit.” Pretty self-explanatory, no?

Today’s edition: “Spandex and CB at Starbucks”

It is 2008, right? I’m not sure that I ever remember seeing people walk around with CB radio units on shoulder straps, but especially in 2008? I’ve watched enough Ice Road Truckers (which means about two minutes) to know they’re still in use, and that’s not surprising. Then of course there are the police, etc. I’m sure they’re used a lot in places without cell service, but even during my Sprint Wireless days, Sheridan Square never seemed like such a dead spot. And if you’re walking around with a CB radio slung over your shoulder, doesn’t that mean someone else is doing the same, or sitting somewhere or something. I don’t know … maybe I’m overthinking … but that was the last post.

Anyway, I’m sitting here typing when a guy sits down at a table near mine. He’s wearing a fitted workout sleeveless shirt, skin tight, as well as a pair of spandex shorts that are way too short. If not for the fanny pack placed run under his navel as opposed to his fanny, the circumcised or not question would be answered. He would take smoke breaks by going outside but would leave the pack on the table along with a poster packing tube — empty/filled? no idea. The cigarettes were an Asian brand I assume since the writing was either Japanese or Chinese. He was not Asian. Important? Probably not. Maybe. Who knows? He sat and drank a Venti something — with his sunglasses on. He read nothing. He wrote nothing. He just sat. And he had this CB radio … with a shoulder strap. When he went outside for his smoke breaks, he carried it with him. When he returned, he set the whole thing down on the table. I never heard it squak, but of course, I have my iPod on. I never saw him speak into it either though. He didn’t come with anyone and didn’t lleave with anyone, nor did he meet anybody here. Just killing time, I suppose.

Too Much Thinking

I think. A lot. Too much. I don’t mind how much I opine, but the thinking … the thinking doesn’t stop. And the non-stop thinking sometimes, but not always, doesn’t lead to realization. It just leads to more and more thinking. I think about believing and believe in what I’m thinking, but somewhere along the way, many things get missed. Feeling. Experience. Connection.

I spent last weekend at a retreat where all I did was try to stop thinking. I went to the Catskills, to a place in Haines Falls, NY (near Hunter Mountain). I didn’t bring my computer, and I received virtually no cell service. I brought my iPod and reading material, but I vowed to utilize both only on the bus rides there and back. I wanted and needed to spend some time with myself. That’s different from spending time alone. I already spend a lot of time alone. I’ll go through waves of time where even when I go into my office, I won’t necessarily interact with that many people.

But as I wrote (hell, how did it get to be) two weeks ago, I’m good at distracting myself. I don’t only distract myself from things I should do, but I somehow to manage to distract myself from things I actually want to do. It makes no rational sense since, as part of my thinking and overthinking, I’m always looking for the “why” and the logic and the rationality. But instead, I’ve created blocks, and many of the blocks have been … well … calling them counterproductive or even detrimental would be understatements. And the thing I probably distract myself from the most isn’t a thing, but rather, it’s just me.

Continue reading “Too Much Thinking”

July Writing Retreat: Free Writing drills

During my weekend, we did two sets of free writing drills. The rules were simple: 1) Take the phrase/idea; 2) start writing; 3) pens down when time called (roughly five minutes). Several of these were effortless; a few of them difficult, although there was not time for any of them to become excruciating. The following are what came out of me.

Drill 1: "The first home I remember living in"

The first home I remember living in was a flat on Sacramento street. It was the one place where my nuclear family had yet to explode. The big window overlooking the street was of several of three-year-old Me’s favorite places. I would stand behind the curatin waiting for my dad to come home, and as I saw him drive-up and park and come up the stairs, I’d wait briefly before running to the door.

I don’t remember the inside of the flat. its layout was lost to me years ago. But I do remember that window. I do remember the day he arrived with an enormous poster of puppies. I do remember the garage on the street where the mechanic would give me candy whenever my mom and I walked by. And I do remember wanting to go back.

Drill 2: "A summer night"

I sat in the window of my hotel room on the Lido in Venice. The air was heavy but reasonably cool. The water taxi ride had been pleasant, and it was late, but i wasn’t ready to sleep. The person I was sharing the room with slept in the bed, but I just kept staring into the pitch black starless night sky.

A crack of thunder and the water came down. The air felt lighter and smelled wonderful. Then came the lightning, and for a brief second, a cloud formation appeared, more stunning than I had seen before. I tried to grab a picture with my camera, but the lightning was too fast, and it was gone.

Drill 3: "Belonging"
I’ve always felt outside the group, belonging only to myself. Family or friends, work or social environments — I’ve experienced a sense of belonging that seems tangential and nothing more.

Those moments of clarity and connection with others become more precious when they’re real. The moments of belonging are always the ones where that feeling and that question are just there, unnoticed but experienced.

The attempt to belong and think about not doing so is what makes me sometimes feel the most detached and alone.

Drill 4: "It took my breath away"
The climb on the El Torro was steep and slow. The anticipation of the pending drop led to a combined feeling of excitement and anxiety. As the cars in front fell over the precipice one-by-one, those feelings took over, and next thing I knew, we were falling fast. Both cheeks flew off the seat, the lap restraint keeping me in place but working hard to do so.

Just then, two coins floated out of some rider’s pocket. The cars flew by then, and the two shiny pieces of metal seemed to hover in mid-air as we sped past them. i couldn’t stop laughing, yet the lap restraint clutched and pushed into my belly. The laughing made the excitement and anxiety reach a new level, taking my breath away.

Drill 5: "My grandmother’s kitchen"
My grandmother’s kitchen was not a place my grandmother spent much time in. She had a housekeeper/cook to do that, and when the dinner parties got larger, she hired more waitstaff.

The kitchen went through three designs, but none of them were warm and inviting. The large island block in the center served as a breakfast table when the stools were in use.

The best part of my grandmother’s kitchen had little to do with my grandmother. I would sometimes leave the dining room and go into the kitchen where the housekeeper would always have the Giants game on during baseball season.

My grandmother’s kitchen was not like most grandmothers’ kitchens, but neither was my grandmother like most grandmothers.

Drill 6: "And then I woke up"
I ran down the hallway. i couldn’t be sure why, but it seemed like the thing to do. Nobody chased me; nothing waited at the other end, but the light of the open door, but I ran nonethelees. Huffing, puffing, running through the dark, the door never seeming to get any closer. I was exhausted and anxious, determined but not scared. It all seemed so important, so urgent that I had to keep going. I had to see why. I knew the answer, whatever it was, would be profound, but it was still so far away. And then I woke up.

Drill 7: "Something I have lost"
I never thought of myself as a picture viewer. A realm of nostalgia stays with me, but I never enjoyed school or my friends enough to gaze back my yearbooks. But they were always there — until I moved to New York. I forgot where I had put them only to discover two years later that I had left them in a box in my friend’s garage. I had forgotten doing so, and all the possessions there were out of sight and out of mind. Then they were gone. As I lost contact with my friend for a few years, I lost track of te boxes and even when i rediscovered where they had been, seven years later they were gone. And so was high school

Drill 8: "I liked him/her the minute I met him/her"
I’ve never known why those who become my closest friends are always those who I find an immediate and inexplicable connection with. When I met C on the 4th of July, I liked her the minute I met her. Was it because she was attractive? Sure. Was it because she worked in advertising but didn’t watch TV? Maybe. Was it because we spoke so easily to each other? Definitely. But the biggest surprise to me was the thing I never knew until nearly three years later: While I liked her the minute I met her, that day, she thought I’d never want to speak to her again.

55 Hours and Counting: Apple Still Sucking

My main personal email is still down. This has been the case since at least 1 PM on Friday. Apple’s MobileMe was down for “scheduled maintenance” last night, and now they have a lovely announcement on their support page saying, “MobileMe is now available!” No it isn’t assholes! Not to those of us that are still part of the group you mention right above that: “1% of MobileMe members cannot access MobileMe Mail. We apologize for any inconvenience.”

That message hasn’t changed in two days. No updates. No explanations. No nothing. As I mentioned yesterday, I sent an email to the New York Times’ David Pogue. He actually sent me a brief response last night: “Yep, this rollout was a real disaster, for sure. Sorry to hear it’s causing you grief! Here’s hoping they get it worked out quickly!” I’ve never been so disappointed in Apple. I’ve also never more seriously considered dropping my Mac.com-now-MobileMe membership service.

At least today … fuck you Apple!

I’m So All Over This

I’m a seltzer water addict too. (I say “too” because I guess I forgot to mention it the other day.) Most recently, I’ve been trying to cut way back and virtually eliminate drinking Diet Coke, Diet Dr. Pepper and all the other soft drinks I’ve regularly found myself consuming in mass quantities. But I’ve always also bought lots of seltzer. (The best hands-down? Schweppes Black Cherry flavored. It’s amazing.) One of my favorite things about using Fresh Direct is that I can order seltzer by the case and not have to lug it home. The “generic” Vintage seltzer costs around 55-to-60 cents per bottle, 12 one-liter bottles to the case. I’ll often go through at least two bottles per day.

But while scrolling through days worth of Serious Eats posts today, I ran across this one from the “Required Eating” section: “Water Works: How to Make Seltzer at Home. If there’s anything that makes me feel guilty about the amount of seltzer I drink, it’s all the plastic bottles I wind-up using. (Although, I’m sure the guy I see regularly going through my building recycling cans looking for cans and bottles loves me.) So … could the Soda-Club Home Seltzer Maker be my savior? Under $100 and SE’s Lucy Baker gives it an initial thumbs-up as do several of the commenters.

How can I resist?

Apple Pissing Me Off: In Pogue We Hope?

Have any of you had troubles with your mac.com transitions to MobileMe? I hadn’t until yesterday when suddenly my mac.com email address — my main personal email — stopped working. Utterly, completely and totally stopped working. I received my last email at 12:31 PM. I sent a reply shortly after, and ever since, whether through my Mail application on my computer or through MobileMe on the web or my Blackberry … nada.

Seems that a “lucky” 1% of MobileMe users are having this problem. The discussion boards on the Apple support site are going wild. Apple, meanwhile, is being silent. The entire MobileMe transition has been, it seems, a bit of a clusterfuck, and the other day, Apple sent out emails to all their users stating that everyone was receiving an extra month’s membership for free as an apology. That was nice, especially since I hadn’t yet to notice any major problems, but I also don’t have an iPhone and wasn’t yet attempting to use any of MobileMe’s lauded syncing and/or push technology. And then, most suddenly, no email. Today, I finally tried to get some chat support from Apple to find out what was happening and when I might expect email to be restored. After waiting for well-over an hour, I finally was connected to a representative who essentially couldn’t tell me anything.

On one of the Apple discussion boards, I noticed someone mentioning that he had written to David Pogue, technology writer for the New York Times. I figured: Why not? I’m going to write him too; share my story, my aggravation, and most importantly, my disappointment in Apple, a company I have been faithful to and appreciative of since spending all of my Bar Mitzvah money (well over $3,000 in 1984!) on a first gen 128K Macintosh, an extra external disk drive (not hard disk, mind you), and an ImageWriter dotmatrix printer. I still will take Mac over Windows any day, but the way they’re handling this pretty major problem right now is extremely disappointing and leading to a lot of anger among the masses.

My email to Pogue after the jump:

Continue reading “Apple Pissing Me Off: In Pogue We Hope?”

Prepping for Knight

Or not. I had intended to watch Batman Begins earlier today to prepare me for going to see The Dark Knight tonight. (And this just breaking across the news: amazingly enough, apparently the film made $18.5 million during its midnight — or I suppose we should simply say late-night — screenings, beating the previous record holder Star Wars Episode III: The Return of the Sith by more than $1.5 Million. That would be a great one-day haul, let alone late night screenings, for most films. Granted, Spider Man 3 opening day brought in $59.5 million, but that doesn’t seem out of reach. I’m now wondering if my $115 million three day prediction was tame instead of high!) I had even also considered renting through Amazon Unbox and TiVo the new animated Batman: Gotham Knight, the stories of which take place in between the first film and the new one.

But some time this morning as I was about to pop-in the Batman Begins disc, I decided … nah. I haven’t watched the first movie in several months — maybe a year. I decided to go into The Dark Knight a little fresher … with a little less baggage. I’m fairly certain I’ll want to see the new film again. I deliberately am not seeing it the first time in IMAX. With the first film, I did the same thing … saw it and then a couple weeks later watched it again in IMAX, and I found seeing the larger format after already having seen the film once (rather than being distracted by the IMAX or missing elements out of the corner of my eye) was truly rewarding.

So, I’m off to the theater to get in line. Fresh with only the memory of how much I loved the first film. And next go around, I’ll prep with a marathon. Ultimately, if the film can’t stand on its own anyway, no matter how good it is, it can’t be that great.

We shall see.

Bingeing Again, But Writing? Still Not So Much

Something happened to me this week — I’ve once again returned to some sort of theater binge. I rushed to Passing Strange on Wednesday to catch it before it’s gone. Last night, I moseyed to Legally Blonde: The Musical last night to catch Laura Bell Bundy before she leaves the show on Sunday and is replaced by the winner of an MTV reality show next week. I’m hoping to catch Adding Machine: A Musical before it shuts down this weekend. I have a ticket to Some Americans Abroad next week, and I re-subscribed to several of the memberships I had but did not fully use last year. And then, for some stupid reason, I added a few more.

I still haven’t seen Spring Awakening, August: Osage County, In the Heights, Gypsy or Xanadu. I might try to get to one of those this weekend as well. I’d probably go to something tonight if I wasn’t already fulfilling my three year anticipatory wait for The Dark Knight. OMG … the movies. There’s so much to see … new and old. And I still haven’t finished the TCM Asian Images in Film series I have TiVo’d in my bedroom. And the summer series … and just … summer … and outside … and books and too many magazine subscriptions … and work and play and non-job work and ….

Distractions. I’m an expert. I distract myself from one thing or another constantly. I tell myself I want to accomplish one thing or I want to do this and that, but instead I simply find ways to distract … myself. Enjoyable, sometimes productive … but distractions and lack of focus nonetheless. I determined earlier this year I didn’t want this blog to be a personal diary; I wanted to get back to writing more opinion and criticism. And then … I didn’t. Write. Now I find myself forcing again — pushing to sit and focus and type and watch the black squiggles turn into words across my screen. I have something — many things — to say, and yet, it all comes out as — what? Nothing? Something? Some thingS?

I’m an addict, for sure. A film addict. A theater addict. A music addict. A television addict. A magazine addict. A pop culture addict. A politics addict. A debate addict. A talkative addict. A thought addict. A noise addict. An activity addict — even if somehow I manage to be a lazy one. A people addict. A solitude addict. An outdoors addict. An air conditioning addict. A contradiction addict. A stress addict.

How does one break so many addictions? I don’t know. Which of them actually need breaking? I can’t say. Which are productive? Which are destructive? How do I get everything just a wee bit more into balance and … well … focus.

I’m starting now. I’m starting next weekend. I’m starting. I’m going on a meditation and writing retreat next weekend in the Catskills. It’s not like anything I’ve done before. But I want to find away to distract me from my distractions. Will it work? We’ll just have to see. It’s only a couple days. It’s my baby step before trying something similar (minus the writing) but much more hardcore and drastic. Something that quite simply I find terrifying because I often find that when I spend that much time with myself and nobody or nothing else … it’s not always comfortable. I can’t even say why … I can’t even call it boring … I can only imagine it because it’s not something I ever EVER do.

In addition to not writing, I haven’t really been doing that much reading. But I did see recently an online “discussion” once again examining how much personal is too personal to throw out there on the web — what’s the motivation for everyone to share their sex lives, their innermost thoughts and fears? For who really cares? Well, I don’t have enough readers anymore to think that anybody does, but I suppose I want to go back to focusing on what was at least a part of the reason I started Out of Focus over four years ago — for me. I’m going to write for me. Or, I may wind-up not writing for me. But I’m not creating samples; I’m not looking for a job; I’m not looking for agreement nor the opposite; I’m not looking to provoke; I’m not looking to brag; I’m not looking to prove; I’m not looking for acceptance. I’m not looking. I’m just writing. I’m doing it here because when I do it here it seems to be easier. And if there’s anything interesting or compelling that anyone reading wants to follow, welcome.

And all of this could be moot tomorrow, and I’ll wind-up writing nothing but memoir, or nothing but film reviews, or nothing but random linkage (although I doubt that).

We’ll see. For now … I need to cut the self-reflection and return to the distraction. Unhealthy … maybe. But Batman (and the inevitable line) awaits!

Passing Strange Before It Passes Away

I had wanted to see Passing Strange since it’s original Off-Broadway run at the Public Theater, but I was lazy and never got around to it. I had heard amazing things: the music was rock (not so show-tuney), exciting and catchy; the show narratively worked in a non-traditional way — in a style I would, upon now having seen it, call a hybrid of the traditional musical and what John Cameron Mitchell did with the stage version of Hedwig and the Angry Inch, i.e., a rock concert that tells rather than shows; and that it was a fascinating and original coming-of-age story. The show had a virtually sold-out run at The Public and earned its transfer to the big (and pricey) leagues. Of course, all of these positive elements also meant that a successful Broadway run could be difficult, and it doesn’t make it the most tourist-from-middle-America-who-wants-to-see-The Little MermaidMamma Mia-or-Phantom of the Opera-friendly performance. I’m certain there are people who won’t like it; can’t get it; will find it too loud. But you know what? They’re wrong. (Yeah, I said it.)

Wrong or not, though, they’re influence is mighty, and the show never made enough money post-transfer to keep it alive long-term. More Tony wins would have helped, and as I have yet to see In the Heights, I’m hesitant to say the wrong show won. What little I know about In the Heights, however, makes me believe that — Washington Heights Latino-centric aside — it’s a more accessible show. And as a final caveat, I have to say that Passing Strange spoke to me personally in a way few plays or musicals have ever done. While most certainly was not an African-American teenager growing-up in a middle-class household in South Central, nor did I escape to Europe to find myself and search for muses for my music, the general themes and story of Stew’s show are ones I relate to heavily. The idea of being able to examine your post-adolescence and the time when you were free to do anything and make mistakes — some stupid, some unexpectedly helpful — is one which weighs on me too often these days. (There’s one line in the show when Stew as narrator says, “What do you do when you wake up and your whole life has been based on the decision of a teenager – a stoned teenager?” And all you want to do is slap that teenager, that 20 or 25 year-old (stoned or not) into submission and say, “Look at what you’re really doing. What is really important.” But you can’t. And reflecting is OK, but regretting not-so-much.

Passing Strange is one of the best coming-of-age stories I’ve ever seen or experienced in any medium. Again, maybe that’s in large part because of how much I related to it, but no matter. Stew and his collaborators have imaginatively presented us with this story of a young man (only called “Youth”) who felt so out of place and pressured by his family and community that he yearned to escape. When he’s introduced to music and art and culture — and pot — by his choir teacher, he’s determined to get away, to Amsterdam which said teacher has painted as the castle on top of the hill. But his teacher has always been too afraid to venture out of the community himself. Our hero won’t make that same mistake, making his way to Amsterdam and happening upon a group of people who accept him without condition — his new family, his new place, his new and comfortable identity (even if much, or all, of it is just another newer mask). The song “Keys” is one that has been heavily used to promote the show. Every interview I had heard with Stew played this song. It’s the number they performed on the Tony telecast. And as energetic and fun as I had always found it, it never had the kind of impact produced by seeing it — and maybe as importantly, experiencing it live in person in the theater — in context and within the frame of the rest of the show.

For one thing, that’s really only part of the number; it’s been condensed. The lead-up and other internal parts are more extensive and emotional and moving and illuminating. It is the perfect combination of words and music and dancing and acting expressing the fulfillment of all the longing this character has felt his entire life. And yet, one of the things that makes this show so brilliant and so satisfying is how it shows that even once he attains his “paradise,” he can’t be happy there. His music is suffering. He needs angst. He leaves for Berlin. The whole time, he’s trying to figure out how to be himself, and yet in Berlin, he finds that he’s only successful when he becomes what everyone else wants him to be: the “Ghetto Warrior.” He sings in one of my favorite lines from the show, “I want my pain to fuck my ego and call the bastard art.” (I relate!) He is a black man finding himself trying to pass as … black … all the while running away from, as his mother repeats to him throughout the show, “his people.”

It’s been reported all over the place that Spike Lee plans to shoot two performances this Saturday (as well as two full run-throughs without an audience present) in order to create a filmed version of the theatrical performance. I absolutely applaud Lee for making a record of this phenomenal theatrical performance, and I encourage people to see the end result. But I also know that the full impact of Passing Strange (at least in this theatrical form) will not be felt on screen. The energy of the performance is infectious and can only be felt in the theater. The asides and speeches Stew makes directly to the audience can’t feel as intimate or friendly no matter how well he stares into the center of the camera lens. Theater and film are vastly different media, way more so than most people recognize, and no matter how great a job Lee potentially does, it is impossible for him to transfer and translate the in-theater experience.

That’s why I encourage and implore people to go see this show. It closes on Sunday. I believe it has five performance left including tonight, with Lee taping both Saturday shows. Seeing it now won’t help it stay open, but it will enrich your life in the way great theater should and can. There’s plenty of crap on Broadway. There’s plenty of crap Off-Broadway. There’s plenty of crap Off-Off-Broadway. Passing Strange flies high above all of it. My attempt to find seats through TKTS yesterday didn’t pan out, and I wound up buying a full-price ticket. Aside from how ridiculously expensive and generally not worth it Broadway tickets are, with all the regrets I may struggle with in my life, paying $115 to see Passing Strange will never be one of them.

Thanks Stew.